Common Spaces Northwest

April 20, 2011

Common Spaces Northwest is a gathering for those interested or involved in various social or environmental justice issues to come together to discover commonalities, share ideas, and learn through one another. It is being organized by a collection of organizations and individuals from around Seattle who are interested in a wide range of issues, from labor rights to food justice to race and gender issues. Common Spaces will take the form of a three-day series of activities, on April 21st through 23rd, at the University of Washington  Seattle campus.

Click below for the schedule of events:

For more info on the other events during CSNW (also for the full schedule in which you can actually read the descriptions 🙂 ): http://commonspacesnw.wordpress.com/2011/04/11/april-21st-22nd-23rd/

Selecting Society: Disability Issues and Intersectionality

Thursday, April 21 · 5:00pm – 7:00pm CHID Lounge (Padelford Hall @UW)
This workshop will present disability as a social construct, differentiating between the medical and social models of disability. We will explore the history of the disability rights and eugenics movements, and discuss intersectionalities of disability and other social groups, the future of disability rights, and the implications of current “eugenic” practices.

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SEATTLE SEXUAL POLITICS: Understanding the Moratorium on Strip Clubs and Its Demise

April 19, 2011

April 20, 2011 @ 12:00 to 1:30pm
Pigott Room 102, Seattle University

Abstract: Regulating sex is a managed process that is written on physical geographies and inscribed on moral imaginations. An understanding of a place for sex demands a multi-dimensional focus that is comfortable with contradictions, change, and structure. An interrogation of a range of social actors, such as sex business owners, sex workers, and local officials is imperative to developing an exploration of the “place” of sex businesses. Drawing largely from interviews from former and current city officials, this talk will discuss the seventeen-year moratorium on the licensing of new strip clubs in Seattle, the process of upholding the moratorium, the anticipation of its demise, and the aftermath. Analysis will also be made from newspaper articles and City Council meeting transcript to better understand the “silence” and the “noise” that surround the moratorium and eventually, Referendum 1 in 2006. In this respect, this talk illuminates the interplay between strip clubs and the regulation of “norms” in the absence of a “moral panic.”
Contact: Gary Perry @ perryg@seattleu.edu


Northwest Network: Spring 2011 Relationship Skills Class

April 12, 2011


Repost: How Can Hip Hop Save the World? Lessons from a Seattle Youth Service Scandal

March 9, 2011

Original Post at Julie C’s Blog of Dope

On March 3rd, I was invited to speak at an intimate panel at Seattle University called “How Can Hip Hop Save the World?” The gathering, brought together by SU’s Mary Pauline Diaz, featured Mako Fitts, Ready C from my crew Alpha P, and myself, as well as about 10 student participants. I didn’t know what to expect, but I was inspired by the topic, ensuing conversation, and current events to write this article up.

Before addressing how Hip Hop can save the world, you first have to determine whether it can, and what “Hip Hop” means to begin with. Now although we could debate cultural memory, nommo, and collective experience all day, the truth is that the only thing that brings most of us together under the umbrella of “Hip Hop” is that we, as artists, engage in the artistic practices deemed by Afrika Bambaataa to be the elements of Hip Hop: bboy/girling, emceeing, graffiti, Djing, beat-making, etc. Of course cultural production in Hip Hop is not just limited to that, it also includes secondary extensions of this. For example, independent media/websites/shows such as Seaspot, Flava News, Coolout Network, Untappedmuzik, All Power to the Positive, Seattle Hip Hop Street Fights, Street Sounds, Boombox FM, She Ready Radio, and Zulu Radio are included here as well as bloggers like those at Raindrophustla, Chul Gugich from 206up, Hugh from Blogsiswatching.com, and Miss Casey Carter, writers like Marian Liu and Jonathan Cunningham, even online forum mafiosos like the habitue of 206Proof are Hip Hop cultural producers. Promoters/venues/functions are also hugely important to Hip Hop cultural production (think Dope Emporium, UmojaFest, Obese Productions, an institution like Stop Biting at Lofi (shouts to Introcut), or Ladies First, formally at Hidmo, etc.) Extending even farther out, we can include fashion (think Mint Factory Clothing or CrisisNW Gear), photography (like Ruf Top Productions, and Jennifer Mary), and a plethora of others. Through this lens, Hip Hop CREATES communities around these artistic practices and acts of cultural production. The question then shifts from “Can Hip Hop save the world?” to “Can communities save the world?” and of course, the answer here is yes. But what role does Hip Hop have in this?

As an artist, and like a lot of artists and cultural producers out here in the Northwest Hip Hop scene, I believe in community accountability to the youth. We do not just understand and create art about issues of gentrification, poverty/job creation, educational reform, healthcare, and youth violence prevention, we organize and mobilize for positive changes within our spheres of influence around these issues, for their benefit. I’ve worked with organizations who turn crack houses into community centers and throw Hip Hop Leadership Conferences (Seattle Hip Hop Youth Council & Umojafest P.E.A.C.E. Center), organizations who connect artists with schools, play cafeterias and gymnasiums, and organize city-wide Youth Summits (206 Zulu), collectives who throw multi-day free all-ages Hip Hop festivals with youth showcases (Dope Emporium), business owners who turn their restaurants into activists hubs and performance spaces, who launch community empowerment projects (Hidmo), and I’ve been blessed to connect with other collectives, organizations, and crews in cities across the country who share the same priorities and mission in this work. (Shouts to DeBug in San Jose, W.I.T in Kentucky, J.U.I.C.E and GorillaMic in Los Angeles, IMAN & Coalition to Protect Public Housing in Chicago, B Girl Be in Minneapolis, W.E.A.P in Oakland, and all trues in the PPEHRC, UZN, HHC networks). There’s power in this groundswell.

Through my travels, connecting with “Hip Hop” communities across the country, I’ve also learned that the national policies and initiatives enacted locally on a state, county, & city level have created common struggles & challenges for us. Broadening our perspective on these issues to include the struggles of communities outside our scene allows us to see how these issues manifest in different cities, and facilitates better understanding on how we can enact change in Seattle.

Read the rest here: http://sheepskincamo.blogspot.com/2011/03/how-can-hip-hop-save-world-lessons-from.html